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Archive for the ‘Surface Design Techniques’ Category

Into the Thick of the Dyes

Friday, June 27th, 2008

Playing with thickened dyes is something I have always wanted to do. Now, I have lots of ideas permeating my brain. When we arrived this morning, our potato dextrin pieces had dried and cracked into wonderful mosaic designs. Here, I am applying black thickened dye with a foam brush. This is very tedious and an Ipod with great music is a nice accessory. The dye has to dry and is then wrapped in plastic to cure for 24 hours.

This is the piece that had the masking tape and potato dextrin. I used a combo of black and red thickened dye. I should have taken a photo of the back because you can get a hint of how the resist is working and the wonderful design that is left. This was taken outside in partial sun. (It was nice and hot in Portland, today.)

Last night, I posted to the Complex Cloth list about this workshop. Someone mentioned that you can add thickened dye to corn dextrin and paint it on the fabric. Then, when it is dry, you can add potato dextrin and add another layer. So, I had to try it. Here, I have used a thermofax screen (I didn’t have the corn dextrin thick enough). I have added a layer of combed potato dextrin over it.

For this piece, I used a construction fence to paint the corn dextrose. After drying, I added potato dextrin.

I mixed up a great green dye which I used for the corn dextrin pieces. I think they are going to look great. Today, we had a session on screenprinting, which I didn’t really need. I did this torn paper screen print of corn dextrin on this piece.

I was so excited to find out that one of the bad girls in the back of the room made this “Bare Rug.” Tamara teaches at Lynfield College. The rug was on display and was stolen. You can read about its disappearance, here and its recovery, here. She brought it in for us to see today. This is a first in a series that she plans to do.

While I was waiting for Reva to drive us home, I saw this adorable young robin, playing in the shrubbery.

Will You Have Corn or Potatoes With That?

Thursday, June 26th, 2008

I spent the day up at the Oregon College of Arts and Crafts taking the workshop, Working with Liquid Resists and Thickened Dyes. Most of the morning was spent going over the usual safety guidelines, recipes for all the stuff we will be mixing up and samples of finished work. Then we selected 4 pieces of fabric to soak in soda ash solution and we each got some time to mix up containers of potato dextrin and corn dextrin.

Here is a photo of the classroom. I love the high padded tables that we have for our work space.

Reva is taking the class, too. We arrived a little late and so I ended up at the back of the room. I am one of those first children that likes to sit near the teacher and be the teacher’s pet. Instead, I am in the back of the room with the bad girls. I am kinda enjoying  it.

Here is my goopy work for the day. This is some blue hand-dyed fabric, before and after stamping with corn dextrin. I used two sized of bubble wrap and a round sponge.

This fabric is covered with potato dextrin. I ran a toothed plastic wedge through it on one side. The other side has plain dextrin with thin and thick layers. As it dries, the thin layers will get small cracks and the thicker areas will get bigger cracks.

This piece has masking tape with potato dextrin over it and then it was combed.

And this yellow fabric was stamped with corn dextrose.

These will dry over night and tomorrow, we will paint them with thickened dyes, which will then have to batch in plastic for a couple of days.

Here are some of our tools for making marks.

Reva irresistable today!

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I want to thank all of you who responded to my Tasteful Art post. I really appreciate all of your comments. I wanted to hear what others thought about this. Collectively, the comments were very constructive. I was interested in how many of you mentioned the addition of another color to push the design. That was actually a comment from my critique group. One idea was to have different reds in the silk squares, or perhaps a lime green. I may try something like that. I will share my attempts to make it less tasteful!

I love my crit group. I have learned so much from them since we have been meeting together. Sometimes, I get so in my own head that I can’t see the forest for the trees. I couldn’t wrap my mind around this comment, and you all helped me work through it.

Got Some Mo’ Back

Monday, May 5th, 2008

I have been so lacking in energy and ideas. I have been avoiding my studio like the plague. The sun has come back to Portland, and with it has come my momentum.

Remember this scarf that I discharged in January?

I decided to add some layers and donate it to the silent auction. First, I screenprinted a subtle filigree design with copper paint.

I painted some foiling glue on bubble wrap and pressed it on the scarf in a cascading design.

I forgot to take a picture of the foiling process. After the glue dries for at least an hour, I lay a sheet of foil over the glue and hit it with a hot iron, transferring the foil. I used a combo of gold and copper foil.

Here is the finished scarf:

Here is a closeup:

Because the glue showed through on the back side as dark spots, I decided to line it with another scarf. It is quite elegant, if I do say so myself.

I am excited to say that two of my collages for the Collage Mania Fiber Art for a Cause sold at the opening bell this morning. I was able to acquire collages by Lizzie Berg, Jette Clover and Karen Stiehl Osborn. So happy with that!! There are still lots of wonderful art to be purchased and the price drops to $40 tomorrow. I still have one left to be purchased. Go here to see them and make a purchase. 100% of the money goes to the American Cancer Society.

Tomorrow, I start the serious business of packing for our journey.

I Love Creating Complex Cloth

Monday, February 11th, 2008

Complex cloth is created by building up layers of surface design on fabric. It requires having a vision of where you are going, but the willingness to go with the flow because surface design is not an exact science — at least the way I do it!!

I must have the art cloth (that I can’t show you) done and shipped to Jane Dunnewold in Texas by Friday. So far I have overdyed, discharged and screen printed two central images – very abstract. I was not thrilled with my results as they were not as crisp as I would have liked. but as I said, there is nothing exact. So I started on my next layer this morning, first practicing on other fabric. I even e-mailed Rayna Gilman in a panic because I was feeling so insecure about printing on the silk. She reminded me that it is a process that you go through and the results will vary. So I forged ahead. I wanted to do some overall printing with found objects, like the vinyl mesh potato bags and bubble wrap. Here is the result on another piece of silk that I had in my stash. This is little blurry. You can see the bubble wrap print, but the mesh is more subtle. The circles are a thermofax screen that I made. I will print those on the art cloth tomorrow. I also want to create an image that I will foil.

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So, after doing this sample, I took a deep breath and started working on the large silk piece. Wow, this is addictive. The printing that I did today helped to integrate yesterday’s images and the parts that I didn’t like took on this amorphous and lovely appearance. That is why I love creating complex cloth.

I am falling behind in my homework for Liz’s class. I have skimmed the material that I downloaded this week-end. I think it is going to be lots of fun. Here is the workspace for the class that I have set up in my office next to my computer and scanner. I have to scan my work and post it on the yahoo site.

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I bet you are wondering how I get anything done! Here are some pages from my journal for the class to prove that I am getting work done.

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The last one is a composition using lots of different textures.

I must get some work done on the SDA website. Good night.

Discharging Results

Sunday, February 10th, 2008

I had a good time yesterday, discovering the results of my discharging on Friday. I found that the turquoise does not take as well on silk. Here is another piece that I discharged with turquoise dye added.

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Here are the two pieces hanging to dry (I had a nice sunny day to put my work outside to dry – yeah!) The scarf had no turquoise left after the washout, but isn’t it gorgeous? The piece on the left has lovely turquoise lines.

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Here is the soy wax batik piece after steaming out the wax and washing it. I am loving this. I am going to continue building up some layers with screen printing and perhaps some shiva paint sticks.

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So, because of my experimenting, I did not use turquoise dye on the art cloth. I had some trouble with the discharge paste and my result was not as crisp as I would like. I screen printed over the discharged area with burnt orange metallic paint. It looks pretty good. I am a little intimidated with the size of this – two yard. I printed out an 11 X 14 image and have drawn out my complete plan so that I have a road map of how to proceed.

I am so happy with the results of the primaries and caucuses this week-end. The Obama campaign has great momentum. Yes, we can!!